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GRAPHIC DESIGNERS
Saul Bass


Renowned Graphic Designer,
Title designer, Director, Animator


Directors from Alfred Hitchcock to Martin Scorsese have turned to this brilliant graphic designer to fashion main titles which will set the mood for their films. He first worked with Otto Preminger on Carmen Jones (1954), but it was his design concept for The Man With the Golden Arm (1955) that really caught people's attention. Thereafter, he created posters and logos forall of Preminger's films, among them Bonjour Tristesse (1958), Anatomy of a Murder (1959), Exodus (1960), and Advise and Consent (1962). He also brought his design expertise and sense of humor to the main titles of Around the World in 80 Days (1956). After making an arresting title sequence for Hitchcock's Vertigo (1958), the director hired him to not only make titles, but also act as visual consultant on North by Northwest (1959) and Psycho (1960). For the latter film, Bass actually laid out a blueprint for the bravura shower murder sequence.

He later designed the elaborate epilogue title sequence for West Side Story (1961), filmed an eerie cat "walking the line" for Walk on the Wild Side (1962), and conceived the racing sequences for Grand Prix (1966). In the mid 1960s, Bass grew tired of being an appendage to other people's films, and started making his own very personal short subjects The Searching Eye, The Solar Film, Notes on the Popular Arts several of which were nominated for Academy Awards; Why Man Creates (1968) in fact won an Oscar as Best Live-Action Short Subject. In 1974 he made his feature-film directing debut with the science fiction story Phase IV, but the picture was not a success. After filming an elaborate and amusing title sequence for That's Entertainment, Part 2 (1976), he returned to the world of graphic design, where he created logos for corporations and products ranging from United Air Lines to Lawry's seasonings. After a long hiatus from film titles, he started accepting assignments again in the 1980s, working with his wife Elaine. They started simply, with designs for films like Broadcast News (1987) and Martin Scorsese's GoodFellas (1990), before diving into more ambitious and elaborate work. Their moody design for Scorsese's Cape Fear (1991) was topped by their brilliant evocation of The Age of Innocence (1993). Like all great Bass titles, this one set the stage for the film that followed and offered moviegoers a miniature film within a film.

Biography from Leonard Maltin's Movie Encyclopedia
Ivan Chermayeff


Cofounder Chermayeff & Geismar Inc.

Born: London, England


Education:
Harvard University, the Institute of Design in Chicago, and Yale University School of Art and Architecture Founded: With Tom Geismar, Chermayeff & Geismar Inc.

Mr. Chermayeff is a past president of the American Institute of Graphic Arts, and was a trustee for the Museum of Modern Art for 20 years. He is chairman of the Design Initiatives and Educational Policy Committee of the Parsons School of Design and a trustee of the New School for Social Research, as well as a national trustee of the Smithsonian Institution. He also has been on the Board of Directors of the International Design Conference in Aspen for over 26 years.

His work has been exhibited widely throughout the United States, Europe, Japan and the Soviet Union. His many awards include the Industrial Art Medal from the American Institute of Architects, the Gold Metal from the Philadelphia College of Art, and, with Thomas Geismar, the Gold Medal of the American Institute of Graphic Arts and the Yale Arts Award Medal. He was named to the New York Art Directors Hall of Fame, and has received l honorary doctorates from the Corcoran Museum of Art, the University of Arts and from the Maine School of Arts.
Seymour Chwast


Renowned Graphic Designer
and Illustrator


Seymour Chwast, Renowned Graphic Designer and Illustrator

Seymour Chwast, cofounder and director of Pushpin Studios, is a renowned graphic designer and illustrator. Extraordinarily versatile, he designs books, packaging, posters and illustrates for publications advertising and corporations. In addition to his unique and innovative style, Seymour often contributes an absurdist sense of wit to his work

A Cooper Union graduate, Seymour is in the Art Directors Hall of Fame and is a member of the Alliance Graphique Internationale. His work has been exhibited in major galleries and museums internationally including the Louvre and the Museum of Modern Art. His work is in the collection of the National Design Museum.
April Greiman


Partner Pentagram


April Greiman was born in New York andstudied graphic design at the Kansas City Art Institute and the Allgemeine Kunst Gewerbeschule in Basel, Switzerland. She opened her practice in Los Angeles in 1976 and joined Pentagram as a partner in 2000.

An early and enthusiastic adapter of computertechnology, she established her reputationas a new media pioneer with now-legendary projects for Esprit, the WalkerArt Center and the Southern California Institute of Architecture (Sci-Arc) that were notable for their experimental mergers of type and image. Her work has since extende into the third dimension, including collaborations with Architects, ranging from signage and exhibitions to the development of color palettes, finishes, and textile design. At the same time, April's commitment to new media has led to a wide range of projects including broadcast television design for PacTel, an interactive website for US West, and "Upside Down, Inside Out, and Backwards," an interactive project for children.

Perhaps April's most widely reproduced design was her commemora-tive stamp for the 19th Amendment, commissioned by the US Postal Service in 1995, with over 150 million impressions.

April Greiman is one of the most honored designers in the world, having received the Medal of the American Institute of Graphic Arts (AIGA) and the Chrysler Award for Innovation, both in 1998. She has taught at Sci-Arc, California Institute of the Arts, and Art Center College of Design. She is a past president of the Los Angeles chapter of the AIGA and a current member of the Alliance Graphique Internationale. Most recently, in 2000 April was named an Apple Master, experimenting with new technology and exploring new applications for digital technology.

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